Tool · 360° spins

Sharp Zone Planner

Will the whole product stay sharp through a full 360° spin, viewed at full sensor resolution? The planner compares the volume your product sweeps on the turntable with the Focus Envelope of your lens and aperture, then shows where diffraction caps stopping down and what focus stacking would cost.

Beta. Results use thin-lens optics and Canon sensor data; verify critical setups with a test spin.

1Camera and lens
mm
2Distance
mm
°
3Product
mm
4Sharpness standard
5Aperture
f/

Depth and diffraction collide

The spin needs f/229 for depth, but diffraction caps this standard at f/6.1. Pick a trade-off below.

Sharp: inside the Focus EnvelopeToo near: in front of the sharp zone, softToo far: behind the sharp zone, soft
Top view: rotation volume 320 mm deep vs Focus Envelope 22 mm at f/16Camera 1,500 mm from the rotation axis (measured from the sensor mark), 105 mm lens, angle of view 18.0° horizontal. Sneaker 298 × 153 × 116 mm turned to the worst angle; rotation volume 320 mm across. Focus Envelope from 1,357 to 1,379 mm from the lens, focus 18 mm in front of the axis.Top view (turntable)mm, true scale1,6001,4001,2001,0008006004002000200200020018.0°1,500 mm from the sensor mark114 mm sensor mark to lens40020002004002000200Too nearToo far22 mm sharpØ 320298116Angle of view 18.0° horizontal105 mm lens on Canon EOS R5 Mark IIFocus Envelope at f/16: 22 mm1,357 to 1,379 mm from the lensSharp zone at f/16: 22 mm1,357 to 1,379 mm from the lensRotation volume Ø 320 mmOutside the envelope: soft at full resolutionProduct by zone: too near, sharp, too farSneaker, turned 69° (worst angle)Focus point 18 mm in front of the axis
Side view, camera 0° up: rotation volume vs Focus Envelope 22 mm at f/16Camera 1,500 mm from the rotation axis (measured from the sensor mark), 105 mm lens, angle of view 12.1° vertical. Sneaker 298 × 153 × 116 mm turned to the worst angle; rotation volume 320 mm across. Focus Envelope from 1,357 to 1,379 mm from the lens, focus 18 mm in front of the axis.Side view (camera 0° up)mm, true scale1,6001,4001,2001,0008006004002000200-200020012.1°1,500 mm from the sensor mark20010001002000100Too nearToo far22 mm sharp320 mm spin depth153Angle of view 12.1° vertical105 mm lens on Canon EOS R5 Mark IIFocus Envelope at f/16: 22 mm1,357 to 1,379 mm from the lensSharp zone at f/16: 22 mm1,357 to 1,379 mm from the lensRotation volume 320 × 153 mmOutside the envelope: soft at full resolutionProduct by zone: too near, sharp, too farSneaker, turned 69° (worst angle)Focus point 18 mm in front of the axisLens 114 mm in front of the sensor mark (thin lens)
Top view: a horizontal slice at the height the lens aims at. Side view: the plane of the lens axis. Upper drawing at true scale from the camera to the product, lower drawing enlarged around the rotation volume (the cylinder the product sweeps in a 360° spin). The product is turned to its worst angle; with zones on, green parts of the product are sharp at f/16, blue parts are too near and purple parts too far (soft at full resolution). All sizes in millimeters.
Rotation volume depth
320 mm320 mm across, worst angle 69°
Focus Envelope at f/16
22 mm7% of the needed depth
Angle of view
18.0° × 12.1°field at the axis 439 mm × 293 mm; 19.5° focused at infinity
Magnification
0.082×lens to axis 1.39 m, sensor to axis 1.50 m
Pixels across the spin
5,963 pxpixel pitch 4.4 µm
Sharpness standard (CoC)
4.4 µm1.0 sensor px, full resolution (coc = 1 pixel)
Depth needs
f/229focus 18 mm in front of the axis
Diffraction ceiling
f/6.1effective f/6.5 at this magnification
Airy disk at f/16
23 µm5.3 px; edge blur 14.6 px
  • OKRotation volume fills 73% of the frame width and 52% of the height.
  • ProblemAt f/16 the Focus Envelope is 22 mm deep; the spin needs 320 mm.
  • CheckDiffraction at f/16 softens the image beyond the standard (Airy disk 23 µm = 5.3 px; ceiling f/6.1).

Your options

  • Single shot at the sweet spot

    f/36

    Lowest combined blur: 8.7 px at the volume edges. Sharp everywhere up to about 684 px across the spin, 36 frames.

  • Focus stacking

    46 slices at f/5.6

    Full resolution everywhere. 1,656 exposures for a 36-frame spin (10% overlap), plus stacking time per frame.

  • Deliver at a lower resolution

    684 px

    Switch the standard to delivered size to see which apertures keep a smaller output sharp in one shot.

Blur at the edge of the rotation volume vs f-number; lowest total blur at f/36f/2.8f/4f/5.6f/8f/11f/16f/22f/32f/45f/6402468101214blur, sensor pixelssharpness standard 1.0 pxceiling f/6.1sweet spot f/36chosen f/16defocusdiffractioncombined
Blur at the front and back of the rotation volume. Stopping down shrinks defocus blur but grows diffraction blur; the combined curve has one minimum.

How the planner decides

Rotation volume

In a spin every part of the product passes the front and the back of the turntable. The planner treats the product as the cylinder it sweeps: radius R = √(W² + D²) / 2 plus any off-center offset, height H. Seen by a camera raised by angle θ, that cylinder is 2R·cos θ + H·sin θ deep along the lens axis.

Focus Envelope

The Focus Envelope is the depth band in which defocus blur stays within the sharpness standard. It uses the same thin-lens formula as our depth of field calculator: H = f²/(N·c) + f, near = (H − f)·s / (H + s − 2f), far = (H − f)·s / (H − s). Focus at the harmonic mean 2ab / (a + b) of the volume's front a and back b splits it evenly.

Full resolution means one pixel

For deep zoom the standard is strict: the circle of confusion equals the sensor's pixel pitch (4.39 µm on an EOS R5 Mark II). The f-number that covers the whole volume is then N = f²·s·(1/a − 1/b) / (2c·(s − f)), which close up behaves like depth · m² / (2c·(1 + m)): depth needed grows with magnification squared.

Diffraction sets a ceiling

Stopping down spreads every point into an Airy disk 2.44 · λ · N · (1 + m) wide (λ = 550 nm). Once its radius passes the pixel pitch, a smaller aperture stops adding sharpness. When the depth needs a higher f-number than that ceiling, no single exposure is sharp at full resolution, and the chart shows the best compromise.

Angle of view

The cone in both drawings is what the sensor sees: 2·atan(sensor / 2v), where v = f·(1 + m) is the lens-to-sensor distance at this focus. Focused at infinity it is the catalog value 2·atan(sensor / 2f); close up the view narrows a little.

Camera view

The simulated frame renders a 3D model of the product (a real model at true size for most presets) and reads the distance of every pixel. A point at distance z blurs into a circle f²·|z − s| / (N·(s − f)·z) wide on the sensor, exactly the circle the Focus Envelope limits to one pixel, combined with diffraction. With the blur exaggerated, everything beyond that pixel is drawn twice its full-resolution size; without it, at 100% one screen pixel is one sensor pixel.

Focus stacking

Stacking shoots several focus slices at a sharp aperture and merges them. It restores full resolution, but each slice multiplies the exposures per frame, so a 36-frame spin quickly runs to hundreds or thousands of shots.

Distance from the sensor or the lens

In the studio you measure from the sensor-plane mark on the camera body; the optics need the distance from the lens. For a thin lens u = s/2 · (1 + √(1 − 4f/s)). Choose which one you entered; the difference matters most at close range.