Use the Depth of Field Calculator to estimate near and far focus limits, total depth of field, and the hyperfocal distance for any combination of focal length, aperture, sensor format, and subject distance. The calculator is for everyday studio and product photography on full-frame and Canon APS-C cameras, with metric and imperial units.
PhotoRobot Depth of Field Calculator
Estimate near & far focus limits, total DoF and hyperfocal distance.
Settings
mm
Slider covers the typical studio range (16–300 mm). For wider or longer lenses, type
any value (4–1200 mm) into the field above.
Aperture
f/16
cm
Distance measured from
Measured from the focal-plane mark ⦵ on the camera body, the same reference lens specs use for minimum focus distance. The calculator converts it to the lens-to-subject distance (thin-lens equation), and near/far limits are shown from the sensor mark too. See the diagram.
mm
Only to show the distance from the front of the lens; it does not change the DoF.
Canon RF: 20 mm flange + lens length from the spec sheet (EF:
44 mm). Zoom lenses get longer as you zoom.
Results
Total depth of field
34 cm
Near86 cm
Focus100 cm
Far120 cm
Camera126 cm
Near limit86 cm
Far limit120 cm
In front of subject14 cm
Behind subject20 cm
Hyperfocal distance531 cm
Lens to subject (used in formula)95 cm
Front of lens to subject—
Circle of confusion0.030 mm
Standard thin-lens DoF model: H = f²/(N·c) + f. Values may differ slightly from real
lenses due to diffraction, focus breathing and individual lens design.
Lens or sensor mark: where do you measure subject distance from?
Sensor mark (S). The ⦵ symbol on the top of the camera body marks the
sensor plane. Lens specifications measure the minimum focus distance from it, and it is
the easiest point to measure from on a PhotoRobot setup with a tape.
Lens (u). Depth of field formulas need the distance from the lens's
optical center to the subject. When you pick Sensor mark, the calculator splits
S into u + v with the thin-lens equation 1/u + 1/v = 1/f:
u = S/2 · (1 + √(1 − 4f/S)). Near and far limits
and the hyperfocal distance are then shown from the sensor mark as well.
The difference matters at product distances: a 105 mm lens at f/16 with the sensor mark
918 mm from the subject gives 4.8 cm of depth of field. Entering the same 918 mm as a
distance from the lens would show 6.5 cm, about a third too much.
The conversion assumes a thin lens. Real lenses focus internally and their optical center
is not exactly where the diagram shows it, so treat results close to the minimum focus
distance (macro) as estimates. A thin lens cannot focus closer than 4 × the focal length
from the sensor (1:1). If you measured from the front of the lens, add the sensor mark to
front of lens length to get S.
What is hyperfocal distance — and why does it matter for studio work?
Hyperfocal distance (H) is the closest distance at which a lens can be
focused while still keeping objects at infinity acceptably sharp. Focus exactly on H and
depth of field stretches from H/2 all the way to ∞ — the trick landscape
photographers use to keep both the foreground and the horizon sharp.
For studio and product photography it's mostly an indicator: as long as your subject
distance is far smaller than H (which it usually is — H grows with focal length squared
and shrinks only with aperture), DoF stays symmetric-ish around the subject. When the
subject distance approaches H, the far limit runs to infinity and the calculator will show
∞.
Practical takeaway for product/jewelry work: focus on the front-most detail you need
sharp and use the "Near limit" / "Far limit" rows above (or the
Depth of Field Chart) to confirm the rest of
the object fits inside DoF.
See total depth of field for common subject distances and apertures at a glance — with precise near–far focus ranges in every cell. No calculator needed.
For additional resources on calculating depth of field for PhotoRobot customers, refer to the following user manuals. Find information on depth of field in regards to PhotoRobot recommended cameras, understanding camera resolution, and in terms of PhotoRobot studio lighting.